What happened in Peru? (part 9)

Previously: I expressed the ineffable nature of God and the universe. Except not really that at all.

To think that I was frustrated that it took me three months to get to the end of the second day… yeesh. Hi there! It’s been two and a half years since we were all here! I’m sitting here trying to remember what in the hell I was referring to at the end of the last post. I don’t think I mention a high school book report or Philip K Dick within this post, though I’m sure I will get to them soon. Anyway, let’s see how this goes…

We had learned something important before that second ceremony, which was that once the ceremony itself was over it was best to stand up and start interacting and moving around. It helped to bring the mareación to a close. So as the lights were relit we both stood with the others. It didn’t end the sensation of being drugged or nauseous, but it helped to make me feel more connected to reality once the songs were over. Around us were people doing yoga stretches and chatting about their experiences. I stood and talked a little but mostly listened. Eventually, we left to head back to our beds.

Outside it was still night, but the sky… good god, the sky. We were in the middle of a spiral arm of the Milky Way. I mean, you could SEE it. Just once in your life I highly recommend going somewhere in the middle of absolute nowhere, while on some kind of drug that makes you incredibly light sensitive, and seeing the sky at night. We stood and felt small but holy.

The next day was probably one of the best days I’ve ever had in my life. I just felt alive. And so very good. At breakfast Malcolm walked around and checked in with people to see if they had any questions or concerns. Honestly, I felt so good that I had a creeping doubt lingering in my head: was I doing this wrong? I had expected to bring my own self-persecution into the experience, I had heard so much from the others about “work” and “dealing with dark stuff” and so far it had just felt… effortless. All I’d felt was love. Malcolm reassured me… there is no wrong way. The medicine shows you what it shows you.

After breakfast we went to the lake, where I hadn’t wanted to get in the day before. I jumped in, without a thought about it. It was fed by some sort of underground thing, I forget now, but so you’d pass through weird temperature differences in the water, freezing cold and then suddenly some warm, perfect temperature spot. The sky was a perfect blue, with huge white clouds, and it was reflecting off the water and I just stared at it. In the water the world was all sepia-toned, it reminded me of the photos from this set of encyclopedias we had as kids. I thought about suicide and depression, and I felt saved. I felt saved. I thought about other people who hadn’t been. Bill Hicks, a comedian I love, and who was a huge fan of psychedelics, and who died of cancer, likely caused by the abuse he’d subjected his body to in the years prior. David Foster Wallace, a writer I’d only recently discovered, who had suffered from severe depression and had become meds resistant like me. He’d discovered it by going off his meds at some point, then trying to go back on them, and they no longer worked. He struggled with it for years, and in the end he killed himself. And I thought, I wish they’d found this place. I really did feel saved.

After the swim I went and spent some time in the ceremony hut. There were hammocks in there for the daytime, and I sat in one and listened to my iPod. It was the first time I’d played anything since we got there and the first music I’d listened to in a long time just for the sake of listening to music. I listened to an old Peter Gabriel-era Genesis record called Selling England by the Pound and slowly swayed in the hammock.

It’s funny, I was in the middle of the fucking Amazon, and it was as humid as it normally is here in the summer, but after the first ceremony I don’t have any memory of ever noticing the heat. There was a really great breeze occasionally blowing through the screens. The music was the best thing I had ever heard (and I’d heard it a million times before, you understand). It was all perfect. When I was at the lake beforehand I remember saying to Sarah, “This place gives you exactly what you need, when you need it.” The first time that had occurred to me had been during the ceremony… I would try to steer things, I’d see a color I really loved, or I’d want to get back to the “waiting room,” but I would never get them when I thought about how I wanted them. But as soon as I’d get distracted and think of something else, they’d appear. It was like being constantly reminded, you can have it all, but only when you need it. And YOU aren’t the judge of when you need it. That entire day was a whole day of here is what you need. Simple, nothing at all, really, and perfect. I don’t think I have ever been happier than I was during that day.

But that was also when I learned that the night before hadn’t been such a great experience for others. As I was laying in the hammock, Friendly Guy (let’s just call him that) came in with Malcolm. And they sat and talked about the night before. I clearly had headphones on, I guess, and had my eyes closed for the most part, so I guess they weren’t concerned about me listening. And I didn’t, until the album ended. The conversation was about how out of control the whole night had seemed to the guy, and how he didn’t want to participate in the next one, or be in the room. I knew about the girl who was laying behind me, who’d gone through such hell. And I knew that the noises coming from the bathroom had seemed kind of over the top at times. But it’s also difficult because, obviously, when you’re deep into the experience your senses are really not reliable in so many ways. I knew these things but had also been separate from them. Friendly Guy didn’t feel like Hamilton was a very good shaman, he felt he wasn’t treating the thing with the proper respect, and that was contributing to how bad the night had gotten for some. I don’t really want to get into the whole thing, because it would take explaining minutiae and it isn’t really relevant. It matters because it planted the doubt.

Just like the night before, I wasn’t sure that I was going to do it again. Even at its most fucking magical (and that second night WAS), it was still unbelievably draining. And I felt empty, and tired, and I was fasting for the most part… the same as the day before. But now, someone had just inadvertently planted doubt, and that is probably why, just before the ceremony, I decided I was done. I had experienced so much, and I was tired, so I made my decision as we were waiting to drink, just like I had the second night. Except this time, I opted not to join in.

Next: The story of a sad little boy too shy to be in the world.

What happened in Peru? (part 8)

Previously: I talked about how I hadn’t written what you’re about to read, yet.

This is the best representation of an ayahuasca experience I have found, so I thought I’d share it with you.

Like the icaros I mentioned last time, I have no idea what watching this video will be like for someone who hasn’t experienced the actual ceremony. I’ve seen videos that were supposed to ‘simulate’ LSD visions and they tend to not come across to me as anything more than, wow, that was a weird little video. I expect you may feel the same about the above. What I can tell you is that when I watched it the first time it really resonated with me. In actuality, the visions I had during the ceremonies weren’t especially like these at all, as far as I can recall. But there is something about the way this is presented (and it’s not just the graphics, it’s the whole mix of the music and the silences and the movement in the video) that feels very right to me. The first time I saw it there was actually a point (starting about 2:30 in, in case you’re curious) at which I could feel the mareación again, just out of reach.

Anyway, I’m sharing it here just on the off chance that it’s helpful, in any way, in understanding what I’m about to try and describe.

The brew for the second ceremony was the first of the batch we had helped to make that morning. I only drank about half as much as I did the first night. I was still operating under the idea that this really wasn’t much more than an extremely strong acid trip, and when I made the snap decision to go ahead and participate in the second night I figured a lesser dose would mean less nausea and I’d still probably have some interesting visions. What I didn’t really understand at the time was that for many people ayahuasca, once it’s in their system, affects them cumulatively. Another thing I didn’t know was that the batch we’d made turned out to be especially potent.

Initially, the second night was a continuation of the first. The room and everyone in it seemed connected in a very real and deep way. The visions were filled with brightest colors, psychedelic in the truest sense of the word. The room ebbed and flowed much as it had the night before, the noise of people purging swelling and fading in time with the icaros. But these things were only the earliest stages and if that had been all there was there wouldn’t really be much point in me having written all this. Very quickly, things got much more powerful.

For some, the night was rough. Behind me, the girl who’d asked if she needed to participate in another ceremony went through an absolutely awful experience. She spent most of the night crying and begging for it to stop, as Malcolm and the woman with the friendly face tried to calm her and lead her through it. I know one person who felt the night got away from Hamilton, that he wasn’t dealing seriously enough with what they felt was a palpable darkness in the room. Elsewhere, one of the Russian guests called out repeatedly to his friends (in Russian, I only found out later what it was about), who giggled around him, because he didn’t know where he was. Apparently, back where the bathrooms were the scene was especially grim, with people strewn all around the floor, lost in their own particular vision.

For others, though, the night was incredibly positive. I was one of them. The oddity of it is that I was still aware of what was negative around me, but processed through what was going on in my mind the tone was completely different. For those that I could hear clearly suffering I tried to extend myself towards them, tried to share the feelings I was having. The volume of purging that seemed to be going on in the back sounded almost comical at times, and the laughter that would move through the room after an especially loud burst of it said I wasn’t alone in thinking so. Hamilton’s icaros did seem to verge on being outright flippant, but in the end it was Don Alberto’s voice I was really following. I began to travel, and his icaros became like a rope to hold onto while walking, to remind myself which direction to go.

I read a description recently by someone comparing the LSD experience to the ayahuasca experience, and something they said really struck me. They talked about how LSD, peyote, and other psychedelics were still close to reality, that they embellish reality with their peculiarities. But ayahuasca takes you to another reality completely.

In other words, we’ve reached the point at which you’ll keep walking with me through this or else be unable to suspend disbelief.

I moved back and forth between several different vignettes, they seemed almost like different rooms and later that’s how I would come to refer to them. Actually, I say I was moving but I think it’s more accurate to say that I was still laying there on the mat and these different rooms moved through me. It’s also important to know that these rooms were real. They did not feel like hallucinations at all, there was solidity and atmosphere to them. Unfortunately, these days I have only the vaguest sense of most of them, faint flashes of memory I sometimes still get that I have no hope of trying to describe, but two of them still stand in my mind.

“The chair was shaped like an open lotus, if a lotus were a chair, each petal made of one of the plain, off-white burlap pillows.”One was peaceful and quiet. It was lit by a late summer dusk light that filtered through windows I couldn’t see and diffused the room with an ashy, colorless glow. My viewpoint of the room was from the floor, a floor that was made up of pillows. In a far corner of the room these pillows, which were also somehow burlap sacks, gathered together and formed a large chair that rose from floor to ceiling. The chair was shaped like an open lotus, if a lotus were a chair, each petal made of one of the plain, off-white burlap pillows. At the crown of it was a symbol I didn’t recognize, lines and shapes that placed together formed something like a spade or an upside down heart. The chair looked like a throne merely waiting for a Buddha. I loved it there. Of all the rooms that shifted before me, it was the one I most longed to return to again and again, though it never came when I tried to get there. Instead it seemed to arrive in those moments when the ceremony would peak and then begin to slowly subside into a brief rest. The sounds around me would begin to grow quiet and I would find myself laying there again before the lotus in “the waiting room” (the name I gave it later in trying to describe it to Sarah), happy and surprised each time, as Don Alberto’s soft whisper-whistle slithered its way around me.

I called it “the waiting room” because it stood in contrast to the other room I remember, one I will never be a good enough writer to describe effectively. I knew intuitively it was a kind of operating room. I floated in stasis, hovering but prone. Just now I started to say the room was dark, but realized that sentence would have several things wrong with it. The room was black, but not dark, I could see perfectly, well enough to tell that I couldn’t make out the outer edge of the “room.” Lines of light circled around me constantly, crisscrossing and shifting directions in angles and circles, a kind of living geometric display. I understood them to be living because they were the ones operating on me. They were beings I could barely comprehend, making up a sort of sacred mathematical sphere that surrounded me, made up of a multitude of beings I couldn’t distinguish one from another. The sensation of their presence was at once overwhelming and soothing.

I know that’s one of those annoying contradictions you often see in spiritual writings, but as they operated on me I felt sadness and joy in equal amounts. It was a painful discomfort that was overpowered by the immense sense of wonder at watching them work.

There was a sort of distance to their attention towards me, created, I think, by the fact that their consciousness was so far above mine. It was as if you, as a three-dimensional being, somehow felt compassion for a one-dimensional point, and had found a way to express that compassion to it. There would be a kind of necessary remoteness to the compassion that ‘point’ felt coming from you, separated as it would be from you by barriers it couldn’t even perceive.

They were aware of this distance between us from my perspective and tried, at one point, to reassure me. One of the shapes split off from the whole and moved towards me, a circle forming near my head. It “looked” at my face for a moment and a line formed across its surface, mimicking a smile. I couldn’t help but laugh at the sight of it, and somehow I knew that it scarcely understood what a “smile” was, only that it would comfort me. I was full of the inescapable knowledge that they loved me and wanted me to be better.

I would shift between these various rooms seemingly in time with the icaros, sometimes settling back into myself there in the ceremony hut, attempting to empathetically reach out to those around me who seemed to be struggling. At times my thoughts would begin to turn, my cynical mind would attempt to assert itself weakly, and outside in the jungle the same nocturnal bird from the night before would laugh its gently mocking laugh. Next to me, Sarah would laugh in response, the exact same laugh, and then it would ripple through the mass of people laying around me.

Cynicism, self-importance, they had no place there. We were all of us connected, the mass of us connected to the jungle, the jungle to the universe. Far above, the godhead looked down upon me and I was naked before it, aging, sad and overweight. But I saw my tiny body through its eyes and realized everything I hated about myself, it loved because it had made it so. It loved us all, because how could it do anything else?

The godhead stretched out a finger towards me, its tiny child, and poked me in the belly to make me laugh.

Next: I talk about a high school book report, the man who wrote Blade Runner, and possibly the happiest day of my life.

What happened in Peru? (an unexpected intermission)

Previously: Part 7, in which there was darkness.

A few weeks ago I went and did some backing vocals for another musician in the studio. While we were all talking, the topic of this trip (no pun intended) came up. It was the first time I tried to describe much of it to anyone. Until then I’d usually let Sarah tell her story because it covered most of the details people wanted and was also much funnier and, you know, story-like. Most importantly, it existed, unlike my story which I hadn’t really managed to work through at all. So as I sat there in the studio I tried to explain some things, and was talking about the icaros when I realized I had recordings of some on my iPad (not the ones from our ceremonies, just some I’d found online, and why I had them is something I’ll try to explain before I’m done with all this). Before I played a little of them, I said, “Look, I don’t have any idea what these will sound like for you. When I listen to them I don’t just hear them, there’s a lot of other stuff attached to them that I feel, so when you hear them they may just sound like a random guy singing native songs pulled from a PBS documentary.”

That’s how I feel about trying to explain all of this, in particular the second ceremony. These are just words describing something that happened to me, possibly they’re funny and interesting, but do they convey what it felt like? Because that’s really the crucial part. That’s what made it all matter, that’s what made me so fucked up as the time passed after I came back home and I couldn’t feel it any more, and that’s what has made such a huge difference over the past couple of months as I’ve reconnected to that feeling and processed more and more of what I learned. Without that, this is just a wacky drug story, which is fine, I suppose, but not really what I’m hoping to get across.

Nothing to do, really, but try and write.

**********

I wrote the above a month ago.

I think what stalls me over and over is the idea that trying to put that second night into words ends up belittling it. That no description I can give it will contain any part of the experience I had. Last night, I was reading “The Doors of Perception” by Aldous Huxley before I fell asleep, because I’m still trying to process, still trying to learn, still trying to get perspective and create permanence for the whole thing. I was struck by this passage…

“By its very nature every embodied spirit is doomed to suffer and enjoy in solitude. Sensations, feelings, insights, fancies–all these are private and, except through symbols and at second hand, incommunicable. We can pool information about experiences, but never the experiences themselves. From family to nation, every human group is a society of island universes.”

…and later by this…

“However expressive, symbols can never be the things they stand for.”

In the end, what I want is to GIVE MY EXPERIENCE IN PERU TO YOU, and I can’t. It can’t be anything other than just a story for you. I don’t know why that should be so important to me, or maybe it’s more accurate to say I do know but feel as if it’s been foolish to expect I could.

So, why keep writing? That seems like a fair question. The answer, really, is that part of processing this has been finally writing about it and trying to convey it to myself as much as to anyone reading. I re-read all of these posts tonight in an attempt to jumpstart writing about it and it seemed, at least to me, that I could see my tone change over the course of writing. Those first few posts don’t read with the same “voice” to me that seems to be speaking in the more recent ones, something that seems even funnier to me now as I notice that they’re only two months old. The cynic in me says I’m imagining it, but of course he rarely shuts up about this sort of thing and, anyway, I’ve learned a lot of valuable things about the cynic in me over the past year, which I’ll come to eventually in the course of all this nonsense you’re reading.

Somewhere along the way I forgot, if I ever knew, how to just write for myself, with no purpose other than to express something to myself, and to count managing to express it to anyone else as an unexpected bonus. So, like I said a month ago, nothing to do, really, but try and write. If you’re still reading: thanks, sorry for the delay, and more soon, I promise.

Next: The second ceremony.